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True/False
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Multiple Choice
A) everyday life is beset by the eternal confusion between appearance and reality.
B) the theatre holds the only reality and should be paid more attention.
C) ultimate truth is highly attainable.
D) the theatre has no real power over relationships and politics.
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A) Through images and metaphors,symbolism explores the inner realities which cannot be directly or literally perceived.
B) Symbolism exposes the social injustices of the working classes.
C) Symbolism tests the limits of language and acting demands.
D) Symbolism is not concerned with art at all,but with materialism.
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A) In order to subvert realism,symbolist writers attempted to draw characters more true to life than reality.
B) The symbolists saw realism as spiritually bankrupt and wanted to replace it with traditional aesthetic values.
C) In order to assault the dimensions of lived reality,symbolist drama creates a "miniature" theatre event by employing plays-within-the-plays acted by puppets.
D) In protest against realistic set and stage design,symbolist sets did away with all props and furniture on the stage.
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True/False
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Multiple Choice
A) Wendy Wasserstein.
B) Ionesco.
C) Bertolt Brecht.
D) Vsevold Meyerhold.
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A) Alfred Jarry
B) Jean Genet
C) Luigi Pirandello
D) George Bernard Shaw
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A) theatre of alienation
B) theatre of cruelty
C) the intellectual comedy
D) symbolism
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A) "absurdity."
B) "alienation or distancing."
C) "monologue."
D) "existential truth."
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A) impressionism
B) theatre of cruelty
C) expressionism
D) theatre of the absurd
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Multiple Choice
A) Brecht's theatre of alienation
B) Artaud's theatre of cruelty
C) Pirandello's metatheatre
D) Beckett's realism
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Multiple Choice
A) Sartre's No Exit
B) Beckett's Waiting for Godot
C) Jarry's Ubu Roi
D) Maeterlinck's The Intruder
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True/False
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True/False
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True/False
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