A) Shirin Neshat
B) Faith Ringgold
C) Barbara Kruger
D) Martha Rosler
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Serra's Tilted Arc and Kapoor's Cloud Ga...View Answer
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Elizabeth Murray's approach to painting ...View Answer
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Bill Viola's The Crossing is a video installation that features a powerful and evocative imagery. The imagery in this piece is characterized by slow-motion sequences that capture the intense emotions and physicality of the human experience. Viola uses water as a central motif, with scenes of individuals submerged or surrounded by water, creating a sense of weightlessness and fluidity. The use of light and shadow adds to the ethereal quality of the imagery, creating a dreamlike and otherworldly atmosphere. The Crossing also incorporates themes of birth, death, and rebirth, with the imagery depicting moments of transition and transformation. Overall, the imagery in The Crossing is deeply contemplative and thought-provoking, inviting viewers to reflect on the universal experiences of life and mortality.
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A) the importance of photography
B) the income discrepancies of males and females
C) rights for homosexuals
D) freedom of expression for artists
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Contemporary artists often use their wor...View Answer
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Faith Ringgold's work "Who's Afraid of Aunt Jemima?" is a story quilt that combines image and text to tell the story of Aunt Jemima, a fictional character often associated with the stereotype of the "mammy" figure in Southern United States culture. Created in 1983, this piece is one of Ringgold's most famous works and is a pivotal example of her story quilts, which blend craft and narrative to address social and political issues.
In this quilt, Ringgold reimagines Aunt Jemima, transforming her from a racial stereotype into a successful entrepreneur and matriarch. The work serves as a revisionist narrative that challenges the historical misrepresentation of African American women. Ringgold creates a new story for Aunt Jemima, where she is no longer just a smiling figure on pancake mix boxes but a complex character with a family, a history, and a life full of experiences and achievements.
The quilt features a series of painted images surrounded by quilted borders. The images are accompanied by handwritten text panels that narrate Aunt Jemima's fictional biography. In this reimagined life, Aunt Jemima becomes Jemima Blake, a businesswoman who runs a breakfast restaurant in Harlem, marries, raises a family, and helps her community.
Through "Who's Afraid of Aunt Jemima?," Ringgold addresses the issues of racism, sexism, and the power of storytelling. She uses the quilt as a medium to reclaim and rewrite African American history, giving voice to those who have been historically marginalized and misrepresented. The title itself is a play on Edward Albee's play "Who's Afraid of Virginia Woolf?" suggesting a challenge to the fears and taboos associated with African American women's roles in society.
Overall, Ringgold's work is a powerful commentary on the resilience and agency of African American women, offering an alternative narrative that celebrates their contributions and defies the limitations imposed by racial and gender stereotypes.
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A) Maya Lin
B) Chris Ofili
C) Elizabeth Murray
D) El Anatsui
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A) bodily fluids
B) Abstract Expressionism
C) sand
D) natural forms
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A) photos from space
B) old master paintings
C) mythology
D) everyday life
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A) past masters
B) consumer culture
C) various artistic techniques
D) Picasso
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A) Frank Gehry
B) Renzo Piano
C) Norman Foster
D) Bill Viola
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A) mosaics
B) fabric
C) pottery
D) glitter
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A) slavery
B) apartheid
C) Wall Street
D) technology
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A) an upscale living room
B) the Colosseum
C) foreign battlefields
D) a football stadium
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A) the human body
B) classical mythology
C) British politics
D) Hindu religious texts
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A) metallic flower
B) cargo ship
C) rocket
D) bird
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A) abstract drips
B) Farsi messages
C) newspaper clippings
D) woodcuts
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