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Multiple Choice
A) Be sure to tell a clearly understandable story.
B) Build the film around distinct groups of images.
C) Create variations between parts of the film.
D) Repeat motifs to reinforce associations.
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A) claymation
B) model animation
C) pixilation
D) illustrative animation
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A) commercials.
B) music videos.
C) YouTube videos.
D) student films.
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A) It addresses the viewer openly.
B) The subject of the film is usually a matter of opinion, not scientific truth.
C) The subject of the film is usually presented as a controversial issue.
D) It appeals to our emotions, rather than relying purely on factual evidence.
E) It attempts to persuade the viewer to make a choice.
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A) segments of animation film stock.
B) clear rectangular sheets of celluloid.
C) sections within the script.
D) areas of the screen on which images are drawn.
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True/False
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A) is labeled as such.
B) records events as they occur.
C) contains no staged re-creations.
D) consists only of verifiable truths.
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A) figures are rendered in fine detail, with tiny, nonrepetitive movements.
B) a large "cast" of finely drawn figures is involved.
C) various areas of the screen are animated at different times.
D) movement takes place on all areas of the screen at all times.
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A) experimental film.
B) rhetorical form.
C) direct cinema.
D) found footage.
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A) gives a stereoscopic impression of depth when viewed through special glasses.
B) makes two-dimensional drawings look three-dimensional.
C) is made to be shown on special 3D movie screens.
D) involves drawing, detail, and description.
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A) difficulty involved in properly assigning categories and finding examples of those.
B) fact that it tends to develop in complex ways and thus risks confusing the viewer.
C) difficulty involved in properly relating the categories to the viewer's experience.
D) fact that it tends to develop in fairly simple ways and thus risks boring the viewer.
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A) example of a compilation documentary film.
B) compilation that exemplifies associational form.
C) example of a direct-cinema documentary film.
D) experimental film that exemplifies abstract form.
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True/False
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A) in which the director stages the action.
B) that records real events as they happen.
C) consisting mainly of interviews.
D) made up entirely of archival footage.
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A) painting.
B) music.
C) storytelling.
D) poetry.
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A) Godfrey Reggio's Koyaanisqatsi
B) Pare Lorentz's The River
C) Kenneth Anger's Scorpio Rising
D) Les Blank's Gap-Toothed Women
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