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A work of art can be assessed according ...View Answer
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A) Magritte
B) Whistler
C) Brancusi
D) van Eyck
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Traditionally, artists have been seen as creators and visionaries, much like gods. They have the ability to bring something new and beautiful into the world, and their work often inspires awe and admiration. In some cultures, artists were even revered and worshipped for their talents and contributions to society.
On the other hand, gods have been seen as the ultimate creators and rulers of the universe. They are often depicted as having supernatural powers and abilities, and their actions and decisions are believed to shape the world and the lives of mortals.
The comparison between artists and gods is a complex and nuanced one. On one hand, both artists and gods are seen as creators and influencers of the world around them. They have the power to shape and inspire the lives of others. However, it is important to note that the comparison is not without its limitations. While artists may create beautiful works of art, they do not possess the same level of power and authority as gods. Additionally, the worship and reverence of artists can be seen as a form of idolatry, which may not be viable or appropriate in all cultural and religious contexts.
In conclusion, while the comparison between artists and gods has been made in traditional and historical contexts, it is important to approach such comparisons with caution and sensitivity. While both artists and gods may share certain qualities, it is important to recognize the distinct differences between the two and to respect the cultural and religious beliefs surrounding the worship and reverence of deities.
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A) the Hellenistic era
B) the Roman era
C) the twentieth century
D) the nineteenth century
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A) the human urge to dominate one's surroundings.
B) the fetal experience of being encased within a womb.
C) the naturalistic instinct to reach toward the sky.
D) the innate need to find a towering father figure to protect oneself.
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New technologies have profoundly affecte...View Answer
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A) The terms can be used interchangeably.
B) Iconography refers to how ordinary people view a work of art, whereas iconology refers to how critics view it.
C) Iconology refers to the original intention of the artist who created a work, whereas iconography refers to how audiences interpret the work.
D) Iconography refers to the meaning behind each individual artistic image, whereas iconology refers to the meaning conveyed by the arrangement and totality of those images.
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D
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A) dimensionality
B) subject
C) material
D) size
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A) Brancusi
B) Oppenheim
C) van Eyck
D) Whistler
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A) collector.
B) connoisseur.
C) critic.
D) patron.
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A) sculpture.
B) pictures.
C) portraiture.
D) architecture.
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A) the study of rocks.
B) the study of art.
C) the study of beginnings.
D) the study of buildings.
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A) Turkey.
B) Greece.
C) Rome.
D) Africa.
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A) iconology
B) semiology
C) deconstruction
D) Marxism
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A) intrinsic
B) psychological
C) religious
D) nationalistic
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A) Pygmalion
B) Cimabue
C) Zeuxis
D) Prometheus
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The question of whether the British Museum should relinquish ownership of the Elgin Marbles is a complex and contentious issue. The Elgin Marbles, also known as the Parthenon Marbles, are a collection of classical Greek marble sculptures that were originally part of the Parthenon and other buildings on the Acropolis of Athens. They were removed from Greece by Thomas Bruce, 7th Earl of Elgin, in the early 19th century and later acquired by the British Museum.
Many argue that the British Museum should relinquish ownership of the Elgin Marbles and return them to Greece. They argue that the marbles were taken from Greece under questionable circumstances and that their rightful place is in the country of their origin. Returning the marbles to Greece would also be a gesture of goodwill and respect towards the cultural heritage of the Greek people.
On the other hand, some argue that the British Museum should retain ownership of the Elgin Marbles. They argue that the marbles have been in the museum's collection for over 200 years and are an important part of the museum's holdings. They also argue that the marbles are displayed in a way that allows people from all over the world to appreciate and learn from them.
Ultimately, the decision of whether the British Museum should relinquish ownership of the Elgin Marbles is a complex and sensitive one. It involves considerations of history, cultural heritage, and international relations. It is a decision that should be made carefully and with input from all relevant stakeholders.
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A) Brancusi
B) Oppenheim
C) van Eyck
D) Whistler
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