A) strict symmetry of composition.
B) the use of muted colors.
C) pictorial license.
D) exacting realism.
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A) His paintings of Native Americans show a deep respect for them as people.
B) He helped to develop the image of Native Americans as ecologically-minded.
C) He used his paintings to garner support for the government's policy of relocating Native Americans to reservations.
D) His paintings and written descriptions of Native Americans were based on first-hand experience gained by living with numerous Native American peoples.
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A) aristocracy sympathetic to the cause.
B) members of the French military.
C) members of the middle and working classes.
D) the Catholic clergy.
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A) native peoples.
B) natural landscapes.
C) heroic actions.
D) historical events.
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A) fairy tales and folk legends.
B) contemporary novels.
C) art songs.
D) real life events.
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A) Neoclassical
B) Neogothic
C) Heroic
D) Eastern exotic
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A) Schubert.
B) Berlioz.
C) Chopin.
D) Beethoven.
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A) The Raft of the "Medusa."
B) The Disasters of War.
C) The Third of May.
D) The Departure of the Volunteers.
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A) is written in free verse.
B) is modeled after Shakespeare.
C) takes its themes from Milton.
D) is both modest and self-effacing.
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A) strong contrasts of loud and soft sound.
B) the scherzo.
C) dramatic motifs.
D) All these answers are correct.
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A) veneration of class.
B) urge to transcend limitations.
C) desire to conform to societal norms.
D) emphasis on knowledge over experience.
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A) On the Origin of Species.
B) Leaves of Grass.
C) Defense of Poetry.
D) Lyrical Ballads.
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A) religious authority.
B) reason.
C) industrialization.
D) individualism.
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A) Emerson
B) Thoreau
C) Catlin
D) Douglass
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A) Sojourner Truth
B) Frederick Douglass
C) Nat Turner
D) All these answers are correct.
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A) Shelley
B) Keats
C) Emerson
D) Wordsworth
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A) fairy tales.
B) the natural landscape.
C) scenes from contemporary novels.
D) current events.
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A) awe-inspiring nature.
B) the Hegelian dialectic.
C) the promises of industrialization.
D) secret messages encoded in the works of Ancient scholars.
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